Open AccessAS AN EXPERIENCE OF EMPATHY WITH A LIVE ANIMAL PERFORMANCE ART
Publication year - 2020
Publication title -
i̇dil sanat ve dil dergisi/i̇dil dergisi
Language(s) - English
Resource type - Journals
eISSN - 2147-3056
pISSN - 2146-9903
DOI - 10.7816/idil-09-76-02
Subject(s) - object (grammar) , hypocrisy , living space , aesthetics , human animal , symbol (formal) , art , harm , visual arts , sociology , psychology , computer science , law , social psychology , artificial intelligence , domestication , political science , residence , demography , biology , genetics , programming language
Modern urban life and all the orders established accordingly are people-oriented. It is managed and operated with the codes determined by this human. In this system, the other was excluded, dislodged and exiled to custom. Neither natural, nor plant, animal, almost the entire eco-system has been reorganized according to the conditions and rules determined by the human being with human ego and hypocrisy. It can make enough space for itself to live in the freedom area bestowed by man. When the art movements after 1960 are examined; again, the effects of a human-centered approach are clearly visible. The viewer and many concepts that move when viewed in the frame; He saw no harm in using the living or dead animal as an art object. Although the actions and actions to react to the social tensions have a ritual characteristic, they are only demonstrations that consist of watching the displaced animal. In this research, in the performance titled "I Love America and Me in America", which Joseph Beuys performed in 1974, next to the art object of the live animal, the next row; An analysis will be made regarding his coming to a social reaction symbol. Keywords: Joseph Beuys, changing art object, living animal