Open AccessINTERACTION OF ARTISTIC PERCEPTION WITH NATURE AND THE SYMBOLIC RESPONSE OF THIS INTERACTION IN LANDSCAPE PAINTING
Author(s) -
Doğayla Olan,
Etkileşimi Ve,
B Etkileşimin,
Görünü Resmindeki,
Simgesel Karşiliği,
Hasan Çevik,
Mimar Sinan,
Güzel Sanatlar
Publication year - 2020
Publication title -
i̇dil sanat ve dil dergisi/i̇dil dergisi
Language(s) - English
Resource type - Journals
eISSN - 2147-3056
pISSN - 2146-9903
DOI - 10.7816/idil-09-73-09
Subject(s) - depiction , painting , naturalism , perception , variety (cybernetics) , style (visual arts) , aesthetics , icon , context (archaeology) , art , spirituality , the symbolic , visual arts , psychology , epistemology , philosophy , history , computer science , medicine , alternative medicine , archaeology , pathology , artificial intelligence , psychoanalysis , programming language
Artists perceive nature in a variety of ways and interpret nature with the works they create as a result of their perceptions. Landscape paintings, which is described as “görünü” picture in Turkish, are not only a depiction of nature, but also a symbolism that shows the spirituality of the artist. In this study, the main lines of the relationship between nature and human are handled in the context of “görünü” pictures and the idea that “görünü” pictures are symbolic pictures of a spiritual relationship that the painter establishes with nature, beyond the purpose of depicting nature only in a documentary or realistic style, is tried to be examined. Keywords: landscape, artistic perception, nature, Naturalism, spirituality, supreme, icon, Symbolism