Open Access
Renessansehagen – utforming og hagekunstneriske motiver
Author(s) -
Ingebjørg Hage
Publication year - 2011
Publication title -
nordlit
Language(s) - English
Resource type - Journals
eISSN - 1503-2086
pISSN - 0809-1668
DOI - 10.7557/13.1803
Subject(s) - aristocracy (class) , the renaissance , fifteenth , german , italian renaissance , art , garden design , ancient history , geography , classics , archaeology , art history , history , visual arts , politics , law , political science
The focus of this article is the gardens of the Italian Renaissance, their main motifs of garden art and how these motifs spread through Europe during the centuries. Motifs from the garden art of Firenze and Rome in the fifteenth and the sixteenth centuries were established in France, England and the German speaking countries during the sixteenth and seventeenth centuries, and in Norway during the seventeenth. These gardens started among the Italian aristocracy, but as the gardens and garden motifs went north they were also adopted by the less well to do classes. Still during the twentieth century small parterre gardens with the same lay-out as in the Italian Renaissance could be found in small scale farm gardens in marginal parts of Europe - for example in Norway, Germany and Switzerland. Single garden motifs survived during the centuries, and they were performed in local materials, but the garden concept from the Italian Renaissance had disappeared