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MUSIK FOR MISBRUGERE
Author(s) -
Olav Harsløf
Publication year - 2018
Publication title -
antropologi
Language(s) - English
Resource type - Journals
eISSN - 2596-5425
pISSN - 0906-3021
DOI - 10.7146/ta.v0i54.106751
Subject(s) - period (music) , quarter (canadian coin) , advertising , history , media studies , sociology , art , business , archaeology , aesthetics
The back entrance of the Copenhagen Central Station has for some decades been shelter and meeting place for alcoholics, drug abusers and drug dealers, because this part of the Central Station faces a part of the town which for more than a hundred years has accommodated prostitution in general, and since the legalisation of selling pornographic films and pictures in 1969 also shops and cinemas for that purpose. When hash and narcotics entered the milieu of prostitution this part of town – called Istedgade kvarteret (Isted Street Quarter) – became also domicile of junkies, drug dealers and prostitutes dependent on narcotics. After a radical restoration of the Central Station in the 1990’s the management wanted to get rid of the abusers in the back entrance. So did many travellers. And as the police did not succeed they bought a music concept from the central station in Hamburg, which had proved its efficiency there. By playing music from the period of romanticism (about 1800-1860) from a loudspeaker they stressed the abusers so much that they after a few days of persistence left the entrance hall. Now the question is: what made them leave? – It is well known that music has been used for psychological purposes, in super markets, in films, in wars and as means of torture. But why should music from exactly that historical period affect the abusers? Most of the junkies and alcoholics are not familiar with nor attracted to classical romanticism. They have through their whole are anthropologists, who do not settle for surfaces, but insist on reflecting on their own incorporated cultural learning processes.  

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