
TEATRETS RUM: En analyse af scenen i Shakespeares verden
Author(s) -
Kirsten Hastrup
Publication year - 1997
Publication title -
antropologi
Language(s) - English
Resource type - Journals
eISSN - 2596-5425
pISSN - 0906-3021
DOI - 10.7146/ta.v0i35-36.115272
Subject(s) - liminality , illusion , space (punctuation) , art , aesthetics , order (exchange) , stage (stratigraphy) , visual arts , philosophy , linguistics , psychology , economics , paleontology , finance , neuroscience , biology
Kirsten Hastrup: Theatre’s Space. An
Analysis of the Stage in the World of
Shakespeare
In this article it is suggested that historically
and structurally, Shakespeare’s theatre
belongs to a liminal space, on the threshold
of the city, and of order. This position makes
it possible for the theatre to incorporate the
contradictions of society. The stage itself is
an empty space, ready to be impregnated by
the imagination of both players and
audience. The nature of illusion on stage is
discussed, and it is argued that on stage the
distinction between illusion and reality
dissolves. Theatre, on the whole, is a “site of
passage” where one is transported between
worlds, equally real and powerful.