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Author(s) -
Peter Ole Pedersen
Publication year - 2018
Publication title -
passage - tidsskrift for litteratur og kritik
Language(s) - English
Resource type - Journals
eISSN - 1904-7797
pISSN - 0901-8883
DOI - 10.7146/pas.v33i79.127529
Subject(s) - filmmaking , film director , cult , documentary film , art history , focus (optics) , art , visual arts , history , optics , movie theater , ancient history , physics
The article analyses the newest season of the cult TV series with a focus on seriality and the connection between title sequence, scenario, recurring characters and audiovisual experimentation. It is evident that David Lynch’s newest trip to TV land is a journey into a transformed territory and one that draws heavily on the visual bombardment of avant-garde filmmaking as well as artistic experiments with the expressive possibilities of the medium itself. This is examined through comparison with the Dadaist filmmaker Hans Richter’s early work in film.
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