Open AccessScenographing Resistance
Author(s) -
Astrid von Rosen
Publication year - 2020
Publication title -
nordic theatre studies
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.139
H-Index - 2
eISSN - 2002-3898
pISSN - 0904-6380
DOI - 10.7146/nts.v31i2.120122
Subject(s) - scenography , resistance (ecology) , historiography , world war ii , aesthetics , theatre studies , visual arts , first world war , history , art , humanities , drama , archaeology , ecology , biology
In 1942 Vilhelm Moberg’s (1898–1973) highly successful historical novel Ride This Night! (1941) was adapted for the theatre and premiered at several Swedish theatres as well as being distributed as a film. While Sweden maintained what was termed a neutral position during World War II, Moberg’s novel, together with its various performances, facilitated a mood of resistance against Nazism. In recognition of this, the focus of my article is the much-celebrated first performance of Ride This Night at the City Theatre (Stadsteatern) in Gothenburg on 14 October 1942. To explore this performance as theatrical memory of World War II, I draw on recent scenography theory emphasizing the holistic role of material and affective relations between bodies, objects and environments. By doing so, the article contributes an historical case study to the international field of critical scenography, and challenges the ways in which previous Swedish art and theatre historiography has theoretically understood and explored the powers of scenographic traits of past performance.