
Centripetal Force of locus: Dilemmas of Nomadism in Contemporary Lithuanian Artistic Practices
Author(s) -
Martynas Petrikas
Publication year - 2015
Publication title -
nordic theatre studies
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.139
H-Index - 2
eISSN - 2002-3898
pISSN - 0904-6380
DOI - 10.7146/nts.v27i1.24239
Subject(s) - lithuanian , modernization theory , politics , sociology , opposition (politics) , modernity , aesthetics , political science , social science , art , law , philosophy , linguistics
By using two cases – a production, called The Heart in Vilnius (2012) and a social-artistic project Give Yourself to Vilnius (2014), the article aims to discuss the issue of a “liquid” mind-set (Bauman) as it is perceived, reflected and formulated in contemporary Lithuanian artistic practices. These examples were intentionally chosen because both seem to address the issue of “roots” in one’s native land in opposition to physical or intellectual mobility. By establishing Vilnius, the capital of Lithuania, as the spiritual locus of emotional fulfillment, both cases dwell on a social anxiety that Zygmunt Bauman terms “a meaninglessness”, typical for a transitional society, where modernization progresses at a different pace in differ- ent strata. Moreover, whether it is a political statement or a popular attraction, both examples portray a nomad and nomadism of late modernity as an “Other”, drawing a divisional and alienating line between a “liquid” mind-set and a “stable” one.