
Emoporn
Author(s) -
Francesco Macarone Palmieri
Publication year - 2013
Publication title -
a peer-reviewed journal about --
Language(s) - English
Resource type - Journals
ISSN - 2245-7755
DOI - 10.7146/aprja.v2i1.121129
Subject(s) - pornography , queer , media studies , sociology , gender studies , politics , movie theater , aesthetics , visual arts , art , political science , law
Porn is so safe; everything is inscribed in a master plan. Like a drug designed to consume entertainment and to be back to work in time, pornography allows you to be at ease in the corner of your world. Through masturbatory micro-rituals, it reaffirms all Western societies values. Back when Pluto was a planet, pushed by the advent of digital technology, a lightning ripped through the grey sky of this boredom valley. In the historical period between the nineties and the two-thousands, pushed by the possibilities of digital communication, a new body front emerged as theoretical and activist battleground, deconstructing the dogmatic anti-sexwork positions of historical feminism and LGBT-identities. “Porn Studies” came out as an open, multidisciplinary field, mixing Queer Theory, Gender Studies, Media Studies, Cinema History and Performance Art. One of the main goals stands in the use of pornography as text, in which to read and to deconstruct identity boundaries where either heteronormative or LGBT-gentrifying politics produce a flat market space. The application of D.I.Y.-ethics to “Porn Studies” moved the thought to a political and
activist level through the practices of self- representation and cultural individualization.