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Trauma and the (Im)Possibility of Representation: Patrick McGrath’s Trauma
Author(s) -
David Kerler
Publication year - 2013
Publication title -
cultura, lenguaje y representación/cultura, lenguaje y representación
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.127
H-Index - 4
eISSN - 2340-4981
pISSN - 1697-7750
DOI - 10.6035/clr.2013.11.5
Subject(s) - epitome , articulation (sociology) , representation (politics) , postmodernism , narrative , reading (process) , phenomenon , literature , philosophy , aesthetics , psychoanalysis , art , psychology , linguistics , epistemology , politics , political science , law
The present paper explores the notion of trauma as the epitome of the postmodern crises of representation and communication. Through the example of Patrick McGrath’s novel Trauma (2008), the trauma phenomenon will be scrutinized as thematic and aesthetic paradigm of contemporary literature. A close reading of McGrath’s novel shall elucidate trauma’s paradoxical structure of presence and absence, i.e. its call for articulation and simultaneous representational elusiveness. Special attention will be given to the narrative techniques and stylistic devices the text employs to give (an aesthetic) voice to the unspeakable. Abstracting from the results of these analyses, an aesthetics of the unrepresentable will be elaborated in the final section of the paper.El presente artículo explora el concepto de trauma como epítome de las crisis posmodernas de representación y comunicación. Mediante el análisis detallado de la novela de Patrick McGrath Trauma (2008), se abordará el fenómeno traumático como paradigma temático y estético de la literatura contemporánea. Igualmente, se delineará la estructura paradójica del trauma, expresada a través de la dicotomía presencia /ausencia, es decir, su necesidad de articulación y simultánea naturaleza representacional difusa. Se prestará especial atención a las técnicas narrativas y recursos estilísticos empleados en el texto para dotar de voz (estética) a lo innombrable. La sección final propone las claves para una estética narrativa de la irrepresentabilidad a partir del análisis desarrollado

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