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Cunning Folklore: The Meaning of "Superstition" in Early Modern Europe
Author(s) -
Alexander Gilman
Publication year - 2010
Publication title -
elements
Language(s) - English
Resource type - Journals
eISSN - 2380-6087
pISSN - 2378-0185
DOI - 10.6017/eurj.v6i2.9036
Subject(s) - superstition , folklore , magic (telescope) , witch , meaning (existential) , literature , early modern europe , history , context (archaeology) , sociology , aesthetics , paganism , anthropology , classics , christianity , art , philosophy , epistemology , ecology , physics , archaeology , quantum mechanics , biology
Simultaneous with the European witch craze, early modern scholars began to collect the superstitious practices of the lower classes into writing. It was a task of compiling charms, spells, and rituals of a people thought to be vanishing and a lifestyle no longer deemed current. Schoalrs today erroneously label these lower classes "cunning folk." These practitioners of magic were not confined to a particular group but rather represented the lower class worldview in general. What is most useful about these folklore texts, however, is their revelations about early modern intellectual culture. These texts are a particular genre of literature, addressing the cultural context in which they were written in order to elucidate what contemporaries believed about magic practitioners and what these beliefs indicate about their intellectual worldview. What becoms clear is that the cultural meanings and functions of magic practitioners in these texts are inextricably tied to changing discourses concerning religion, medicine, and antiquarianism. Superstition in early modern Europe was thus used as a foil for "right thinking" and casts light on the concerns and prejudices of the educated class.

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