
Victor Horta's Vision: Art Nouveau, Fusion of Function and Form
Author(s) -
Kate Swofford
Publication year - 2010
Publication title -
elements
Language(s) - English
Resource type - Journals
eISSN - 2380-6087
pISSN - 2378-0185
DOI - 10.6017/eurj.v6i2.9031
Subject(s) - harmony (color) , architecture , style (visual arts) , aesthetics , art , natural (archaeology) , art history , visual arts , history , archaeology
Working at the turn of the century, the Belgian Victor Horta was one of the art nouveau's premiere architects and designers. The goals of his work are realized most successfully in the townhouses he created. Practicality and the aesthetics blend seamlessly together, resulting in buildings simultaneously revolutionary in their innovation and classical in their emphasis on harmony and order. As characteristic of art nouveau, the first self-consciously modern style of architecture, Horta stressed organic forms in design as well as structure. He counterbalanced the inherently static and rigid nature of the edifice with natural, curving shapes to render the home more appealing to its residents. Furthermore, Horta and his clients saw their association with art nouveau as a reflection of their ultra-liberal, progressive political views. In many ways, Victor Horta's work represents the pinnacle of art nouveau, not simply in its rejection of architectural conventions and its emphasis on integration, but also in its respect for the merit of classical works. This concurrence is at the heart of Victor Horta's success.