Open AccessO Chaos das 5
Author(s) -
Flávio Luiz Schiavoni,
Adilson Roberto Siqueira,
Rogério Tavares Constante,
Igino De Oliveira Silva,
Thiago de Andrade Morandi,
Fábio Dos Passos Carvalho,
João Teixeira Araújo,
André Lucas Nascimento Gomes,
Frederico Ribeiro Resende,
Luísa Lugon-Moulin Brazil Santos,
Avner Maximiliano de Paulo,
Carlos Eduardo Oliveira De Souza,
Allyson Da Cruz Rodrigues,
Igor Alves Estevam Andrade,
Aneliza Rodrigues Prado,
Patrick Veniali Da Silva,
João Lucas Ruas Teixeira,
Aretha Brito De Lima,
Bruna Guimarães Lima e Silva,
Ívyla Nascimento Silva,
Wanderson Andre Martins Pereira,
Rafael Gomes De Oliveira,
Octávio Ferreira Deluchi Cerqueira Da Silva,
Valdir De Siqueira Santos,
Matteo Vinicius Alves Recinella
Publication year - 2019
Language(s) - English
Resource type - Conference proceedings
DOI - 10.5753/sbcm.2019.10457
Subject(s) - metaphor , wonder , gesture , computer science , citizen journalism , chaos (operating system) , alice (programming language) , space (punctuation) , human–computer interaction , multimedia , world wide web , artificial intelligence , psychology , computer security , social psychology , philosophy , linguistics , programming language , operating system
“O Chaos das 5” is an audiovisual digital performance. The guideline of the performance is inspired by Alice, from Lewis Carroll book - Alice in the Wonderland, as a metaphor to take the audience to a synthetic and disruptive wonder world. The concept of the performance is to conceive the possibility to the audience to interact through digital interfaces creating an immersive and participatory experience by combining three important layers of information (music, projections and gestures) through their cellphones. Once that the audience members take part of the show on an immersive aspect, there is no stage or another mark to limit the space of the performers and the audience.