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Names and Collective Identity
Author(s) -
Otto Krogseth
Publication year - 2012
Publication title -
oslo studies in language
Language(s) - English
Resource type - Journals
ISSN - 1890-9639
DOI - 10.5617/osla.316
Subject(s) - identity (music) , cultural identity , phenomenon , identity crisis , collective memory , cultural heritage , sociology , epistemology , aesthetics , history , political science , law , philosophy , social science , negotiation , face (sociological concept)
The preceding two decades have displayed a remarkable awareness for a connection between the concepts "identity" and "cultural memory". David Lowenthal speaks of a "current craze for heritage"! Cultural heritage has become extremely popular, especially in combination with tourism, and has accordingly been converted into a modern system of meaning a type of "secular religion". With reference to collective identity and cultural memory, it is important to ask the cul- tural analytical questions: "Why identity now? Why heritage now?" My reply is that we experience a critical identity crisis. Three central aspects signify individual and collective identity: Continuity, coherence and individuality. The three aspects, constituting the concept of identity, are exposed to serious threats in the post-modern era: The danger of changeability, fragmentation and standardisation. This ten- dency has, however, met various compensating counter reactions like for instance "re-traditionalisation". In my presentation, I will examine the phenomenon cultural memory through examples from the German tradition -- principally from the works of Aleida and Jan Assmann.

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