CANTOS DE PROTESTO - MODOS DE SER NO ALTO SERTÃO ALAGOANO

This article is the result of a broader study, present in dissertation on indigenous music theory, especially the Kalankó, but also of other indigenous groups in the Brazilian northeast sertão. In this text, I demonstrate how a specific cultural system, the music, is responsible for the formation of ethnic group, identification of them among other groups in the region, society and with the Brazilian government; the expression of basic symbols and meanings to the group and also by means of political action, especially since the Tore, one of the musical genres of communities has been historically perceived as a cultural and diacritical symbol of “Indian”