Open AccessPolítica da imagem, subjetivação e cenas de dissenso
Author(s) -
Ângela Cristina Salgueiro Marques
Publication year - 2014
Publication title -
discursos fotográficos
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.111
H-Index - 3
eISSN - 1984-7939
pISSN - 1808-5652
DOI - 10.5433/1984-7939.2014v10n17p61
Subject(s) - dissent , politics , power (physics) , state (computer science) , focus (optics) , sociology , political dissent , media studies , art , humanities , political science , art history , aesthetics , law , computer science , physics , optics , algorithm , quantum mechanics
This paper is aimed at discussing, with focus on Jacques Rancière, how an image policy can be noticed in the creative production of scenes of dissent from which the political agent emerge, appears and constitute himself in a process of subjectivation. The political and critical power of the image is linked to survival acts: operations and attempts that enable to resist to captures, silences and excesses comitted by the media discourses, by the social institutions and by the State