Open AccessLinguistics in the Framework of Three-Dimensional Logo: Letter, Note, Numeral
Author(s) -
Antipenko Leonid Grigoryevich
Publication year - 2020
Publication title -
world journal of english language
Language(s) - English
Resource type - Journals
eISSN - 1925-0711
pISSN - 1925-0703
DOI - 10.5430/wjel.v10n2p39
Subject(s) - logo (programming language) , linguistics , style (visual arts) , numeral system , interpretation (philosophy) , natural (archaeology) , logos bible software , german , musical , computer science , art , artificial intelligence , literature , philosophy , history , archaeology , programming language , operating system
The task of the article is return prosody to linguistics, to turn linguistics to speech, to voice content. For this, linguistics rises to the logo. It is shown that the logo as such is divided into three hypostases: the verbal logo, the musical logo (melos) and mathematical logo. The results of objectifications (Entӓusserung, Gegenstӓndlichkeit in German) of these components are expressed respectively by letters, notes and numerals. Each of the three components has two aspects that the author calls styles. The verbal logo has a prosaic and poetic style; musical logo has vocal (voice) and musical-instrumental style; mathematical logo has a logical style and a historical style. Martin Heidegger showed that the logo is inextricable linked with time. The projection of time on the created images ̶ verbal and poetic (letters), musical (notes), mathematical (numеrals) ̶ allows you to fill them with life, to give them a natural look. Thus, orientation to the logos leads the linguist to a wider understanding of the subject of linguistics in comparison with the previous, narrowed version of its interpretation.