Open AccessDisguise and Belief in Milton’s Paradise Regain’d
Author(s) -
Bence Levente Bodó
Publication year - 2018
Publication title -
the anachronist
Language(s) - English
Resource type - Journals
eISSN - 2063-126X
pISSN - 1219-2589
DOI - 10.53720/pjch7301
Subject(s) - temptation , honesty , epic , battle , aesthetics , paradise lost , wilderness , art , philosophy , clothing , psychology , literature , social psychology , history , ecology , archaeology , biology
What we see can confirm our preconceptions, act as proof for what is doubtful. Yet, belief is strongest when it does not require visual, tangible, or any kind of proof. Milton’s later epic dramatises the threefold temptation of Christ in the wilderness, exploring the beliefs of Christ, the Tempter, and even the reader. In the spiritual battle of the two characters, the pictures that the words paint give much of the epic grandeur, as the poem investigates the reliability of the visual. In this process Satan’s disguises try to capitalise on the cultural connotations of clothing, while Christ stands in naked honesty.