
Analyzing How to Build the Bridge Between the Chinese Collection and Western Audiences from the Different Thinking Mode
Author(s) -
Jing-Yi Peng
Publication year - 2021
Publication title -
journal of innovation and social science research
Language(s) - English
Resource type - Journals
ISSN - 2591-6890
DOI - 10.53469/jissr.2021.08(06).31
Subject(s) - china , chinese culture , bridge (graph theory) , humanity , mode (computer interface) , western culture , globalization , aesthetics , history , media studies , sociology , political science , art , computer science , law , medicine , archaeology , operating system
The origin of Chinese traditional culture can be traced back to 5000-7000 years ago, which has a long history. Throughout the history, we can see that the reason why Chinese traditional culture can become the only endless culture in the world is, basically, that Chinese traditional culture has strong innovation ability and contain the great wisdom of humanity [1]. With the development of globalization and technology, China and Chinese culture are facing a new situation, which is breaking the culture barrier and spreading Chinese culture to the west, and it is also a challenge [2]. In the field of contemporary curation, the main concentration is how to build the bridge between Chinese traditional collections and Western audiences, and crossing the two different culture background to understand and unscramble. The research article focuses on analysis the factor of western audiences understanding barriers, and discussion how Chinese collections to connect with western audience better.