Open AccessComment L’Interprete et L’Auditeur Organisent-Ils La Progression Temporelle D’Une ŒUvre Musicale? (Analyse, Memorisation et Interpretation)
Author(s) -
Michel Imberty
Publication year - 1991
Publication title -
psychologica belgica
Language(s) - French
Resource type - Journals
SCImago Journal Rank - 0.511
H-Index - 33
eISSN - 2054-670X
pISSN - 0033-2879
DOI - 10.5334/pb.820
Subject(s) - musical , psychology , interpretation (philosophy) , alternation (linguistics) , perception , active listening , cognitive psychology , cognitive science , dynamics (music) , memorization , representation (politics) , musical form , linguistics , communication , literature , philosophy , art , pedagogy , neuroscience , politics , political science , law