Open AccessDocumentary sources and methodological landmarks in the research of the creation of the singer Veronica Mihai in the „Folclor” Orchestra
Author(s) -
Vasile Chiseliță,
AUTHOR_ID
Publication year - 2021
Publication title -
arta
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.106
H-Index - 1
eISSN - 2537-6136
pISSN - 2345-1181
DOI - 10.52603/arta.2021.30-2.04
Subject(s) - period (music) , repertoire , musical , modernization theory , institution , documentary evidence , subject (documents) , visual arts , history , art , literature , art history , sociology , aesthetics , law , social science , library science , political science , computer science , archaeology
The study aims to identify the main theoretical and methodological criteria, important in shaping the scientific vision applied to the approach of the subject. The author delimits two distinct periods in the evolution of the singer’s repertoire: the late Soviet period (1968–1991) and the post-Soviet period (1991–1999). The main focus is on the Soviet epoch. Among the documentary sources are the materials stored in the IPNA archive – “TeleradioMoldova” Company, the personal files of the artists, the minutes of the Artistic Council, the musical scores, the library of the editorial offices within the institution. To substantiate the theoretical framework of the study, the author argues the need to instrumentalize the concepts of „Soviet folk song”, „mass song”, „creator&producer networks”, „modernization”, „revitalization”, „invented traditions”, „folklorization”, „new folk songs”, „neo-traditional music”.