Open AccessAspects of the treatment of the technical-expressive and interpretative means of the trumpet in the Concert Study by Alexandr Sochireanschii and Oleandra by Vladimir Slivinskii
Author(s) -
Dumitru Hanganu,
AUTHOR_ID,
Svetlana Badrajan,
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Publication year - 2021
Language(s) - English
Resource type - Conference proceedings
DOI - 10.52603/9789975351379.05
Subject(s) - piano , musical , computer science , point (geometry) , chamber music , repertoire , degree (music) , register (sociolinguistics) , musical instrument , linguistics , rhythm , cognitive science , aesthetics , visual arts , art , literature , psychology , acoustics , mathematics , philosophy , physics , geometry , art history
The instrumental chamber music works by composers from the Republic of Moldova are rich and diverse, both in terms of the musical genres addressed and the instruments required, either for the ensemble or solo parts. The trumpet, an instrument with wide technicalinterpretative and expressive possibilities, offers composers an ample opportunity for harnessing its potential. The two works, which we will analyze from an interpretive point of view – “The Concert Study” for trumpet and piano (in B) by Alexandr Sokireanski (1977) and “Oleandra” for trumpet and piano (in B) by Vladimir Slivinski (1979), are part of the active repertoire of trumpeters and are of interest to researchers. They require certain execution skills and a certain level of handling the instrument, as they contain elements with a high degree of difficulty; we refer here to the rhythmic structure, the complexity of dynamic nuances, technical elements, the change of tempo during the proceeding of the musical discourse, the exploitation of the acute register of the trumpet.