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The reception of French symbolism in Georgian Literature
Author(s) -
Nana Guntsadze,
Ilia Gasviani
Publication year - 2021
Publication title -
ena da kultura/language and culture
Language(s) - English
Resource type - Journals
ISSN - 1987-7323
DOI - 10.52340/lac.2021.673
Subject(s) - georgian , poetry , literature , mythology , context (archaeology) , art , history , philosophy , linguistics , archaeology
The comparative study of Georgian modernist poetry in the context of French poetry reveals that Georgian poetry of the early XXth ventury is not an epigenetic appendage or periphery of European poetry. It creates its original invariant, which in a way expands and expands the mythohraphic discourse and mythological character of French poetry, chronotopes, cultural and landscape spaces.At the beginning of the XXth century the blueroks could not hide their amdiration for the work of French Symbolists, which they considered to be evidence that the path of Georgian literature was directed towards Europe. They had adored poets: Edgar Allan Poe, Baudelaire,Rimbaud, Verlaine… However, I think the announcement of the Blue roks as Georgian symbolists is very controversial… Therefore, I consider it important to establish the basic principles of French symbolism and, consequently, to connect it with the Georgian poets of the XX century, ib paerticular with the poetry of Galaktioni.

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