Open AccessUbiquidade etnográfica: original fake, codex expandido, sujeito transurbano, manequim performática
Author(s) -
Mássimo Canevacci
Publication year - 2013
Publication title -
visualidades
Language(s) - English
Resource type - Journals
eISSN - 2317-6784
pISSN - 1679-6748
DOI - 10.5216/vis.v10i2.26548
Subject(s) - uncanny , context (archaeology) , relation (database) , subjectivity , representation (politics) , epistemology , art , literature , philosophy , history , computer science , archaeology , law , political science , politics , database
My essay presents the emerging of fake as a concept that does not mean false, but a post-dualistic mix of false/truth. The relation between digital culture and ubiquitous subjectivity is fundamental during its process; in the same way, the relation between aura and reproducibility cannot be determined dialectically as Benjamin did. Digital auratic reproducibility is the contemporary context and communicational metropolis is characterized by spontaneous and public performance: so, my conclusion is an analysis of some “living” doll and their uncanny presence