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O espaço gótico em A máscara da morte rubra
Author(s) -
Luciana Moura Colucci de Camargo,
Ozíris Borges Filho
Publication year - 2010
Publication title -
signótica
Language(s) - English
Resource type - Journals
eISSN - 2316-3690
pISSN - 0103-7250
DOI - 10.5216/sig.v22i1.12740
Subject(s) - space (punctuation) , point (geometry) , art , path (computing) , humanities , art history , philosophy , computer science , mathematics , geometry , linguistics , programming language
Neste trabalho, analisamos o conto de Edgar Allan Poe, A máscara da morte
rubra, focalizando principalmente a espacialidade. Como suporte teórico,
partimos da proposta da Topoanálise, elaborada a partir das ideias de Bachelard,
Iuri Lotman, Osman Lins entre outros. Também recorremos ao ensaio de Poe,
intitulado Filosofia do mobiliário. Em nossa análise, verificamos que o percurso
espacial do texto se divide especialmente pela coordenada da interioridade,
revelando-se então em exterior vs. interior. Temos o país como um espaço
englobante e externo e, como espaço englobado e interior, aparece a abadia
para onde o duque foge com sua corte.
In this paper, we analyze the short story The mask of red death by Edgar Allan
Poe, focusing primarily on spatiality. As a theoretical starting point, we have the
Topoanalysis proposal based on some ideas developed by Bachelard, Lotman,
Osman Lins, among others. This paper also turns to Poe’s essay entitled The
Philosophy of Furniture. In our analysis, we verify that the spatial path of the
text is divided mainly by the coordinate of the interior, revealing outside versus inside. A country as an including and an outward space and, as an enclosed and
interior space is approached by the abbey where the Duke runs away with his
court.

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