
Rus Devrimi’nde Gogol
Author(s) -
N.A. Berdyaev,
Nesrin Atasoy
Publication year - 2021
Publication title -
uluslararası sosyal bilimler dergisi
Language(s) - English
Resource type - Journals
ISSN - 2548-0685
DOI - 10.52096/usbd.5.23.5.15
Subject(s) - spell , soul , magic (telescope) , consolation , literature , art , philosophy , theology , physics , quantum mechanics
Gogol is the most mysterious of all Russian writers, and still little has been done for his recognition. He is more mysterious than Dostoevsky, who goes to great lengths to reveal all the contradictions and all the abysses of his soul. In his soul and in his works, it is seen how the devil struggles with God. Gogol, on the other hand, keeps an unsolved secret in himself and takes him to the grave. There's something really scary about it. Gogol is the only Russian writer with a sense of magic, he artistically conveys the action of dark, evil magical forces. He probably gets it from the West, from Catholic Poland. Terrible Revenge was written with such a spell. The same spell is more implicitly found in Dead Souls and Inspector. Gogol feels bad very strongly. He does not find the consolation that Dostoevsky found in the image of Zosima and in the touch of mother earth. He doesn't have those sticky leaves, nowhere can he escape the evil mouths that surround him. Old school Russian critics can hardly feel the eerie nature of Gogol's art.