Open AccessSeesaw of Spatial Metamorphosis in Aravind Adiga’s Last Man in Tower
Author(s) -
Sadaf Mehmood
Publication year - 2021
Publication title -
numl journal of critical inquiry
Language(s) - English
Resource type - Journals
eISSN - 2789-4665
pISSN - 2222-5706
DOI - 10.52015/numljci.v18iii.131
Subject(s) - gentrification , commodification , capital (architecture) , space (punctuation) , sociology , alienation , dystopia , economic geography , utopia , aesthetics , political economy , geography , economy , political science , law , economics , art , economic growth , philosophy , visual arts , linguistics
Urban space is inherently uneven. Economic pursuits and commercial integrity translate urban space into categorization of haves and have-nots.Neo-Marxists theorize spatial disequilibrium through the dynamics of capital accumulation.Analysis of Last Man in Tower by Aravind Adiga helps to explorecity space as a commodified place that serves the interests of capital accumulation by converting it as a space of differences, struggles and negotiations. While examining spatial alienation, I probe the making of urban other who experiences, evictions, and displacements followed by the development projects of capital accumulation in the theoretical frame of David Harvey’s accumulation by dispossession. The urban space expands and grows not for the urban other but for the elitist consumption. This directs the argument to inspect the creation of a critical spatial consciousness to assert the urban other’s right to the city. By retaliating to their evictions and dispossessions they devise strategies for remaking their space through their lived daily experiences. This has been supported by the theoretical lens of Henri Lefebvre’s “The right to the city”. The selected fiction defines uneven city space whereby the spatial metamorphosis dispossesses and displaces the urban other andraises critical spatial consciousness to obstruct subsequent displacements.