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Oscar del Barco editor: la construcción de una política de la teoría en Ediciones Caldén
Author(s) -
Verónica Stedile
Publication year - 2022
Publication title -
catedral tomada
Language(s) - English
Resource type - Journals
ISSN - 2169-0847
DOI - 10.5195/ct/2021.526
Subject(s) - publishing , performative utterance , humanities , art , politics , sociology , media studies , art history , political science , law , literature , aesthetics
In this paper, we look at how theory and publishing practices were intertwined in Argentina between 1967 and 1976. We do so by analyzing “El hombre y su mundo” [“The Man and His World"], a collection of books directed by Oscar del Barco for Ediciones Caldén (Argentina) during that period. We hold that del Barco´s multifaceted work as editor, translator, compiler, and essayist, created a politics of theory, focusing on two interrelated aspects: 1) a poetics of publishing, with translations of works by political theorists, structuralist and poststructuralist thinkers coming together in a unique collection mediated by del Barco’s critical texts, and 2) a "smuggling" publishing practice –as texts were selected, translated and shaped into small books from foreign magazines with no copyright permission. We see a performative force in such interrelation of theory and publishing strategies, as “El hombre y su mundo” made available books through practices and materialities that acted upon what those very books were calling for.

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