Open AccessCuratorial Practice as Production of Visual & Spatial Knowledge: Panel Discussion, October 4, 2014
Author(s) -
Nicole F. Scalissi,
Alison Langmead,
Terry Smith,
Dan Byers,
Cynthia R. Morton
Publication year - 2015
Publication title -
contemporaneity
Language(s) - English
Resource type - Journals
ISSN - 2153-5914
DOI - 10.5195/contemp.2015.151
Subject(s) - architecture , clarity , conversation , art history , visual arts , history of art , panel discussion , contemporary art , library science , sociology , art , performance art , computer science , philosophy , biochemistry , chemistry , communication , linguistics
The following is a transcription of a conversation between curators of art, science, and digital data about how their practice creates knowledge in their respective fields. Drawn from Pittsburgh’s rich institutional resources, the panelists include Dan Byers, (then) Richard Armstrong Curator of Contemporary Art, Carnegie Museum of Art; Dr. Alison Langmead, Director, Visual Media Workshop, Department of History of Art and Architecture, and Assistant Professor, School of Information Scienes, University of Pittsburgh; Dr. Cynthia Morton, Associate Curator of Botany, Carnegie Museum of Natural History; and Dr. Terry Smith, Andrew W. Mellon Professor of Contemporary Art History and Theory, University of Pittsburgh. Moderated by Nicole Scalissi, PhD candidate, Department of History of Art and Architecture, University of Pittsburgh. The panel took place as a part of Debating Visual Knowledge, a symposium organized by graduate students in Information Science and History of Art and Architecture at the University of Pittsburgh, October 3-5, 2014. The transcription has been edited for clarity.Curatorial Practice as Production of Visual & Spatial Knowledge