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Changes in Women’s Representations in Turkish Cinema from the 1980s to the Early 1990s
Author(s) -
Fatma Zeynep Özen
Publication year - 2021
Publication title -
cinej cinema journal
Language(s) - English
Resource type - Journals
eISSN - 2159-2411
pISSN - 2158-8724
DOI - 10.5195/cinej.2021.450
Subject(s) - movie theater , turkish , section (typography) , gender studies , politics , sociology , art , political science , art history , law , philosophy , advertising , linguistics , business
This article focuses on the representations of women alongside the social and historical background of Turkish cinema from the 1980s through the early 1990s. In the following section, I articulate the political events in the 1980s - the early1990s and its impacts on Turkish society and cinema. I delve into the modernist representations of women in the 1980s cinema to analyze women’s gender codes (based on social/cultural and cinematic codes). Finally, in the last section, I examine Atıf Yılmaz’s cinematic images of women in his films and analyze two of his films A Sip of Love (1984) and The Night, Angel and Our Gang (1994) in terms of gender codes.

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