Open AccessTHE NATIONAL CODE IN THE STORIES OF BAKHYTZHAN KANAPYANOV
Author(s) -
А. Baybolov
Publication year - 2021
Publication title -
habaršy. filologiâ ġylymdary seriâsy
Language(s) - English
Resource type - Journals
ISSN - 1728-7804
DOI - 10.51889/2021-1.1728-7804.35
Subject(s) - code (set theory) , soul , ethnography , state (computer science) , field (mathematics) , nobel laureate , art , literature , history , art history , sociology , visual arts , law , political science , anthropology , philosophy , epistemology , computer science , poetry , mathematics , set (abstract data type) , pure mathematics , programming language , algorithm
The article is devoted to the issue of the national code. It is through fiction that new worlds open up to the reader, taking the soul of stories, extraordinary images. Here, special attention is paid to the symbols of an ethnographic nature. In addition, we will take a detailed look at short stories (miniatures) “Zhalgyz agash”, “Bakhchisaray”, “Balbal”, “Hourglass”, “Raven” from the point of view of national code laureate of the State prize of the Republic of Kazakhstan in the field of literature and art named after Abai, member of the Union of writers of Kazakhstan, member of the Union of cinematographers of the CIS and the Baltic States, the independent award “Tarlan”, poet, writer, translator, publisher and essayist, screenwriter of Bakhytzhan Kanapyanov. In Kazakhstan, it is little studied, but based on it, we can understand the current cultural process.