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TONY MORRISON AND ALICE WALKER’S LINGUISTIC IDENTITY AND SEMANTIC TRIGGERS (IN THE CONTEXT OF AFRICAN-AMERICAN IDENTITY)
Author(s) -
B. Mamedova
Publication year - 2021
Publication title -
habaršy. filologiâ ġylymdary seriâsy
Language(s) - English
Resource type - Journals
ISSN - 1728-7804
DOI - 10.51889/2021-1.1728-7804.22
Subject(s) - linguistics , identity (music) , context (archaeology) , alice (programming language) , sociology , history , art , philosophy , archaeology , art history , aesthetics
The article is devoted to linguistic identity and semantic triggers, a rather interesting aspect of the linguistic identity of Tony Morrison and Alice Walker. The main purpose of of the research of linguistic identity by Toni Morrison and Alice Walker is to analyze of semantic trigger lexical units and expressions in their ideolect. Scientific novelty of the research is determined by studying the semantic trigger lexical units. Our analysis suggests that for T. Morrison and E. Walker, semantic triggers such as blue eyes, nigger, and coon provide a “transition” to scripts that are relevant to their African-American identity. Thus, both writers are carriers of individual linguistic identities, as well as symphonic (social, ethnic, social) linguistic identities, specifically African-American linguistic identities.

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