Open AccessFRENCH SPACE IN THE STRUCTURE OF THE PUSHKIN ART TEXT
Author(s) -
Е Ломова,
М. Khavaydarova
Publication year - 2020
Publication title -
habaršy. filologiâ ġylymdary seriâsy
Language(s) - English
Resource type - Journals
ISSN - 1728-7804
DOI - 10.51889/2020-4.1728-7804.55
Subject(s) - objectivity (philosophy) , narrative , perspective (graphical) , aesthetics , art , recreation , space (punctuation) , literature , period (music) , atmosphere (unit) , visual arts , art history , philosophy , epistemology , linguistics , law , geography , meteorology , political science
The correlation of Russian and French spaces acquired In the artistic of Pushkin works the internal energy and significance. A.S. Pushkin, a historian and writer, was experienced a complex process of coordinates « native» reality and "stranger" reality. The historical and cultural perspective was represented in Pushkin artistic narrative features and trends of his historical period. According this approach the French and Russian artistic worlds retained not only clearly defined boundaries in Pushkin works, but also interpenetrated into each other. The image of France, for objective reasons, was not supported by the real life experience and impression of the author, but the artistic story does not require absolute historical objectivity and exhaustive documentality in its genre. The artist's skill involves recreation a living picture reality and convey the reader its color, atmosphere and national shades.