Open AccessVitality as an Acquisition of Timeless Significance by a Work of Art
Author(s) -
N.N. Mutia,
AUTHOR_ID
Publication year - 2021
Publication title -
hudožestvennaâ kulʹtura
Language(s) - English
Resource type - Journals
ISSN - 2226-0072
DOI - 10.51678/2226-0072-2021-4-68-93
Subject(s) - ilya , vitality , conversation , character (mathematics) , painting , iconography , aesthetics , perception , timeless , art , conflation , literature , visual arts , sociology , epistemology , art history , psychology , philosophy , communication , geometry , theology , mathematics , neuroscience , circadian rhythm
The article is devoted to the vitality of historical painting. The purpose of the article is to identify those characteristic features of a historical work that contribute to the fact that the picture, while remaining a product of the epoch that created it, acquires a timeless character. The emphasis is placed on the content aspect of the historical picture; its allusiveness, iconography, dialogism; external aspects of the perception of the picture (politicization, laughing and playing aspects). The author also analyzes such a complex aspects of perception of a picture as its transformation into a “living organism” with which one can “conduct a conversation” or “argue”. These aspects are considered on the example of the painting Ivan the Terrible and His Son Ivan on November 16, 1581 by Ilya Repin (1885).