
A Technological Phenomenon. Humanitarian Aspects
Author(s) -
Kirill Sokolov,
A.M. Siyuhova,
Ph.S. Dvornik,
E.V. Bykanova,
N.Yu. Sputnitskaya,
Oleg Gurov,
Iom Ranepa
Publication year - 2021
Publication title -
hudožestvennaâ kulʹtura
Language(s) - English
Resource type - Journals
ISSN - 2226-0072
DOI - 10.51678/2226-0072-2021-3-564-599
Subject(s) - phenomenon , civilization , dystopia , theme (computing) , creativity , field (mathematics) , modernization theory , aesthetics , sociology , appeal , epistemology , history , political science , art , computer science , law , philosophy , mathematics , pure mathematics , operating system
The authors of the article reflect on the processes of technical modernization of modern culture and on the modern reflection on the increasingly active introduction of new technologies in the field of art and art researches. There is an increasingly widespread nature of creativity and the inevitability of a long-term adaptation of a person to the results of his own creativity — which is another round of the eternal conflict between the creator and the creation. The article also examines the era of the 1920s, when art was intensively turning to the motives of machine, technical, and automatic world, giving rise to various interpretations of the interaction of man and machine, man and automaton. The theme continues with an appeal to the images of the robot child in American cinema of the second half of the 20th — beginning of the 21th century and to the vast field of modern science fiction art, which analyzes the current problems of civilization and, above all, communication systems — including the possibility of mass infections, the phenomenon of parasitic organisms, dystopian patterns of social relations. The scientific and artistic discourses are in close interaction.