„Scriitura feminină” și capcanele genului în poezia anilor 2000. O relectură a (pre)judecăților critice în jurul textelor scrise de Svetlana Cârstean și Elena Vlădăreanu

This article attempts to clear up the concept of “female writing” such as Hélène Cixous developed it in her manifesto The Laugh of the Medusa. Along with the hard side of Generation 2000, the women also asserted themselvs through a radical attitude, which led to a critical legitimation by exhibiting the forms of discrimination against women, as well to a reductionist labelling with “female poetry”. By analysing the poetics of two different Romanian authors, Svetlana Cârstean and Elena Vlădăreanu, this paper also investigates the applicability of Cixous’ concept to these writers.