Open AccessReclaiming what was lost in the fire: a review of Jonathan Jones’ "Barrangal Dyara"
Author(s) -
Francesca Timar
Publication year - 2020
Publication title -
new emerging scholars in australian indigenous studies.
Language(s) - English
Resource type - Journals
ISSN - 2208-1232
DOI - 10.5130/nesais.v5i1.1569
Subject(s) - art history , performance art , work (physics) , history , art , visual arts , archaeology , engineering , mechanical engineering
The site-specific work titled Barrangal Dyara (Skin and Bones) was exhibited in the Royal Botanical Gardens in Sydney from the 17th of September to the 3rd of October 2016. The artist behind the display, Sydney based Wiradjuri and Kamilaroi man Jonathan Jones (born 1987) is a young contemporary Aboriginal artist who specialises in site-specific works, which discuss the historical uses of locations around Australia. The name Barrangal Dyara means skin and bones in the local Gadigal language, and the work took place on Country with community approval from Gadigal elders Uncle Charles Madden and Uncle Allen Madden.