Zwarte Piet, een blackfacepersonage

Black Pete, a blackface character: a century of blackface amusement in the Netherlands In 1847 the Ethiopian Serenaders successfully introduced American blackface minstrelsy to a Dutch public. A few years later the publication of the Dutch translation of Harriet Beecher Stowe’s Uncle Tom’s Cabin (1853) and the subsequent ‘Tom-play’ led white Dutch actors to perform in blackface. Blackface performances functioned not merely as entertainment, but perpetuated a stereotypical white image of black people. During that same period the ­Amsterdam-based teacher Jan Schenkman published a children’s book including a black servant ( St. Nikolaas en zijn knecht , 1850). The servant was known as Black Pete and became established in the Saint Nicolas tradition. In the years to come, Black Pete, generally a white person wearing a blackface mask, leaned heavily on the same elements that made the blackface minstrel dandy type a success: edified clothing, a blackface mask, and anti-­emancipation humour.