Open AccessThe Path, Cyclicity and the Theatre (Or: On What Ground Do We Define the Term Universality, in the Context of the Theatre?)
Author(s) -
Mirushe Hodja,
Saše Tasev
Publication year - 2001
Publication title -
identities
Language(s) - English
Resource type - Journals
ISSN - 1857-8616
DOI - 10.51151/identities.v1i1.19
Subject(s) - macedonian , politics , citation , universality (dynamical systems) , theatre studies , literature , history , art , political science , physics , law , drama , ancient history , quantum mechanics
Author(s): Mirushe Hodja | Мируше Хоџа
Title (English): The Path, Cyclicity and the Theatre (Or: On What Ground Do We Define the Term Universality, in the Context of the Theatre?)
Title (Macedonian): Патот, цикличноста и театарот (или: Врз кој темел го дефинираме поимот на универзалноста во контекстот на театарот?)
Translated by (English to Macedonian): Saše Tasev | Саше Тасев
Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 1, No. 1 (Summer 2001)
Publisher: Research Center in Gender Studies - Skopje and Euro-Balkan Institute
Page Range: 137-143
Page Count: 7
Citation (English): Mirushe Hodja, “The Path, Cyclicity and the Theatre (Or: On What Ground Do We Define the Term Universality, in the Context of the Theatre?),” Identities: Journal for Politics, Gender and Culture, Vol. 1, No. 1 (Summer 2001): 137-143.
Citation (Macedonian): Мируше Хоџа, „Патот, цикличноста и театарот (или: Врз кој темел го дефинираме поимот на универзалноста во контекстот на театарот?)“, Идентитети: списание за политика, род и култура, т. 1, бр. 1 (лето 2001): 137-143.