Open AccessO trabalho colaborativo no cinema de Ken Loach
Author(s) -
Marcos César de Paula Soares
Publication year - 2019
Publication title -
ilha do desterro
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.223
H-Index - 6
eISSN - 2175-8026
pISSN - 0101-4846
DOI - 10.5007/2175-8026.2019v72n1p251
Subject(s) - film director , movie theater , portrait , context (archaeology) , art history , art , naturalism , visual arts , sociology , history , philosophy , epistemology , archaeology
The article begins with an analysis of the initial scene of the film I, Daniel Blake by the British filmmaker Ken Loach, to discuss the context in which the filmmaker's career began, amid the English debate about the legacies of Naturalism in literature and cinema. The article then turns to some of the practical consequences of this discussion of the collaborative working methods adopted by the director to ensure what he calls "portrait authenticity of the life of the English working classes."