Open AccessSubverting the chronotope: the Donnie Darko (2001) case
Author(s) -
Marcia Tiemy Morita Kawamoto
Publication year - 2020
Publication title -
fórum lingüístico
Language(s) - English
Resource type - Journals
eISSN - 1984-8412
pISSN - 1415-8698
DOI - 10.5007/1984-8412.2020.e70764
Subject(s) - chronotope , cinematography , movie theater , perspective (graphical) , relation (database) , counterpoint , space (punctuation) , history , sociology , art , computer science , linguistics , visual arts , literature , philosophy , pedagogy , database
This paper analyzes the film Donnie Darko (2001) by director and screenwriter Richard Kelly through the theoretical perspective of Mikhail Bakhtin’s (1981) chronotope. The latter defines it as an intermingling between temporal and spatial relations, artistically assimilated in literature (BAKHTIN, 1981), but in this study it is applied to film studies. Gilles Deleuze’s (1986, 1989) concepts of movement-image and time-image also contribute to the analysis. The film presents sequences of chronotope disruption, which are associated to the main’s characters mental state. Film techniques as parallelism, superimposition and ellipsis contribute to this break in the time and space association. Lastly, the analysis discusses Garret Stewart’s (2007) proposal that the digital cinema contributes to a disruptive cinematography, especially in relation to time-space constructions.