REFLECTIONS ON LINGUISTIC SIGNIFICANCE AND VOCAL MUSIC: SURAT AL-NASR AS A MODEL

The internal acoustic music of Surat Al-Nasr depicted the sign of the promise of complete victory and the good tidings of the entry of many creatures to Islam. The feeling of pride and vanity appeared for the coming of victory and conquest, and the vision of entering, represented by the tide in the sound of the thousand in the first verse three times, and the glorification of (lam) the word of majesty, then it calmed down when the Almighty said: In the religion of God) to express entering quietly and smoothly by elongating the tide of the word God, and this is exactly what happened at the beginning of the Islam. The highly “hamza” and “Jeem,” then the repetition of the tide in absolute thousand came to reinforce this, and the syllables and sounds contributed to the stereotyped sound image, and shedding lights on the meaning of the words. We also find that the percentage of open syllables in the surah reached (63.2%) and the movement of conquest (65.3%), in addition to the increase in the percentage of vocalized voices to the whispered by more than double, and this music increases by the increase in the percentage of the closed sound clip closed silently in the last verse to (42.85%) After it was (30%) in the first verse and (27.7%) in the second verse, it is in harmony with the state of praise and forgiveness that requires a kind of reverence, represented by this energetic calm and this quiet of speaking.. Key words: Surat Al-Nasr, Vocal Music, Reflections on Linguistic