TRADITION OR MODERNITY: WHICH MODEL FOR THE ALGERIAN NOVEL?

The Algerian novel occupies an important place in the literary world of the French expression. Numerous are the Algerian writers passionned by this way of writing resulting from historical events between Algeria and France. The Algerian author is confused between his traditional society, his roots, his sociocultural environment and the modern one transmitted by the culture of the colon. The reports between tradition and modernity are in the core of the mystery of creation, the act of the creator, indeed, concentrates on heritages but he can always go towards their unforeseen transformations. With a more analytical look, we can state that between both notions, it exists convergent points, this may say that beyond appearances it is impossible to build a tight partition. The tangling of both concepts is revealed in the Algerian novels, for instance, in Kateb yacine, Mouloud Mammeri, Yasmina Khadra, Latifa Ben Mansour et Rachid Mimouni. This is why we have opted for this theme which aimed to: Situate the Algerian novel between these two dichotomies and how the Algerian author apprehends this repport? The present work is based on the study of technics which make the dichotony Tradition/Modernity opposed in time; a cyclicity through a literary creation.