Open AccessCRIME AND PUNISHMENT IN THE NOVELS OF TA DUY ANH FROM CREATIVE CONSCIOUSNESS PERSPECTIVE
Author(s) -
Minh Hien Ngo,
Thi Thu Huong Pham
Publication year - 2020
Publication title -
khoa học xã hội, nhân văn và giáo dục
Language(s) - English
Resource type - Journals
ISSN - 1859-4603
DOI - 10.47393/jshe.v10ispecial.860
Subject(s) - punishment (psychology) , beauty , moral evil , consciousness , repentance , postmodernism , criminology , sign (mathematics) , perspective (graphical) , sociology , psychology , philosophy , psychoanalysis , aesthetics , art , social psychology , epistemology , theology , mathematical analysis , visual arts , mathematics
By considering Crime and Punishment as the hidden principle of creating a hyperreality full of Evil, Ta Duy Anh has impressively posed and dealed with Crime and Punishment in his novels. Through revealing aspects of Evil and Crime, the writer has portrayed Evil, pointed out its nature and showed the difficulty in its both recognizing and eliminating. From seeing Crime as a sign of Evil to perceiving the bulge of a hidden protagonist in postmodern hyperreality, Ta Duy Anh has expressed his own conception and solution of Crime and Punishment. Explained from the creative consciousness of an artist and from Good - Evil and Good - Beauty, Ta Duy Anh has touched human aspiration, using Punishments, self-punishing with Repentance, or seeking the salvation of Beauty to eradicate evils.