Open AccessProducent audiowizualny – pojęcie i pozycja prawna
Author(s) -
Agnieszka Grzesiok-Horosz
Publication year - 2021
Publication title -
zarządzanie mediami
Language(s) - English
Resource type - Journals
ISSN - 2354-0214
DOI - 10.4467/23540214zm.21.026.13757
Subject(s) - legislator , position (finance) , work (physics) , production (economics) , law and economics , subject (documents) , proposition , intervention (counseling) , subject matter , distribution (mathematics) , business , political science , law , computer science , economics , legislation , psychology , microeconomics , epistemology , engineering , mathematics , finance , mechanical engineering , mathematical analysis , philosophy , psychiatry , library science , curriculum
The Audiovisual Producer – Concept and Legal PositionThe production of audiovisual forms is organisationally and economically complicated. The issues “inside” audiovisual work, as well as the huge costs of production and distribution, or the potential income from their dissemination in various fields of exploitation, may cause conflicts between authors, producers, and users. That is the reason why balancing these interests requires a rational intervention of the legislator. The aim of the considerations is to find an answer to the question about an audiovisual producer and their legal position in the light of legal acts and practice. There are very few opinions on this subject and the article aims to fill the existing cognitive gap. The research problem is presented by law regulations, using the formal and dogmatic method.