Open AccessModel baśni filmowej w złotym wieku wytwórni Walta Disneya (wraz z późniejszymi modyfikacjami)
Author(s) -
Maciej Skowera
Publication year - 2021
Publication title -
wielogłos
Language(s) - English
Resource type - Journals
eISSN - 2084-395X
pISSN - 1897-1962
DOI - 10.4467/2084395xwi.21.007.13582
Subject(s) - studio , beauty , the renaissance , art , cites , white (mutation) , vitality , feature (linguistics) , expansive , literature , art history , history , visual arts , philosophy , theology , aesthetics , linguistics , biochemistry , chemistry , fishery , gene , biology , compressive strength , materials science , composite material
[Model of a Film Fairy Tale in the Disney Golden Age (with Later Modifications)] The article attempts to determine the constitutive elements of a model film fairy tale in the so-called Disney Golden Age and to examine how it was used in later works, both these created by the studio and those by unrelated creators. After preliminary remarks, the author analyses three feature-length animated films: Snow White and the Seven Dwarfs (1937), Cinderella (1950), and Sleeping Beauty (1959). In these works, as he notes, one can notice a set of features that make up the classic Disney model of a film fairy tale. Next, the author discusses modifications applied to the pattern during the Disney Renaissance and Revival. Finally, he cites examples of cultural texts polemical to this paradigm which point to the cultural vitality and heterogeneity of the studio’s films.