Open AccessOn the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević
Author(s) -
Katarina Tomašević
Publication year - 2016
Publication title -
muzikološki zbornik/muzikološki zbornik
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.108
H-Index - 4
eISSN - 2350-4242
pISSN - 0580-373X
DOI - 10.4312/mz.52.1.27-40
Subject(s) - modernism (music) , style (visual arts) , musical , art , literature , history , art history
The main aim of this paper is to re-examine the modalities of Béla Bartók’s influence as a composer during the first half of the 20th century to the main, dominantly “nationally oriented style” in the former Yugoslavia, focusing on two of Bartók’s somewhat younger contemporaries – the composers Josip Slavenski (1896–1955) and Marko Tajčević (1900–1984), prominent representatives of European interwar musical modernism.