Constituting Neoclassicism in Serbia or: How and Why Neoclassicism Can Be Understood as Modernism – a Study of Ristić’s Second Symphony | Zendy

Vesna Mikić | Zendy

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Constituting Neoclassicism in Serbia or: How and Why Neoclassicism Can Be Understood as Modernism – a Study of Ristić’s Second Symphony

Author(s) -

Vesna Mikić

Publication year - 2007

Publication title -

musicological annual

Language(s) - English

Resource type - Journals

SCImago Journal Rank - 0.108

H-Index - 4

eISSN - 2350-4242

pISSN - 0580-373X

DOI - 10.4312/mz.43.2.99-104

Subject(s) - symphony , modernism (music) , serbian , art , aestheticism , contextualization , art history , musical , literature , aesthetics , philosophy , linguistics , interpretation (philosophy)

The paper examines the possible re-contextualization of the Serbian musical neoclassicism in the field of (sober) modernism/socialist aestheticism characteristic for Serbian art and literature of the fifties. From that perspective, the Second Symphony (1951) by Milan Ristić is seen as the constitutive piece of neoclassicism/sober modernism, i.e. of artistic tendency that is going to become very important for understanding Serbian music in the second half of the 20th century.

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