A Fragment to the Genre of the Piano Piece: Its ‘Real’ Beginning in the Slovene Musical Literature? | Zendy

Katarina Bogunović Hočevar | Zendy

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A Fragment to the Genre of the Piano Piece: Its ‘Real’ Beginning in the Slovene Musical Literature?

Author(s) -

Katarina Bogunović Hočevar

Publication year - 2006

Publication title -

musicological annual

Language(s) - English

Resource type - Journals

SCImago Journal Rank - 0.108

H-Index - 4

eISSN - 2350-4242

pISSN - 0580-373X

DOI - 10.4312/mz.42.2.87-98

Subject(s) - piano , musical , opus , literature , art , creativity , fragment (logic) , visual arts , art history , computer science , psychology , programming language , social psychology

In spite of its small quantity, in its own way the piano opus of Janko Ravnik marked the history of Slovene piano music. Particularly with his early piano works, Ravnik opened up new dimensions in Slovene pianistic creativity. Addressing question as to whether we can speak of his piano compositions as the beginning of the piano piece in Slovenia, the present article seeks an answer on two levels: the compositional-technical and reception.

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