El vanguardismo eterno: el principio dialógico en la novela española e hispanoamericana

The article is based on the theory of Mikhail Bakhtin that determined the change of the realist novel in the development of the avant-garde novel, in which the novel ceased to be monological and became instead polyphonic. What consequences did such a change have on the Spanish and Spanish-American narrators? They looked again at Cervantes. Going through the postmodern narrative principles the article tries to define the current trends of autofiction with mention of some Spanish and Spanish-American authors who again highlight the influence of Cervantes and revive the aesthetic principles of the avant-garde, with a focus on the complex relationships between reality and fiction and their mutual influence